Robert Burns is a poet of which country. Robert Burns: biography, briefly about the life and work of Burns. Translations of Burns in Russia


Brief biography of the poet, basic facts of life and work:

ROBERT BURNS (1759-1796)

The great Scottish poet Robert Burns was born on January 25, 1759 in the village of Alloway (County Ayr) in the family of gardener and tenant farmer William Burness. The poet's mother's name was Agnes Brown (1732-1820), she was from Maybole. Robert had three brothers and three sisters.

The family lived poorly. Suffice it to say that Robert and his brother Gilbert took turns going to school, since their father, who was trying to ensure his children received an education, did not have the means to pay for two students at once.

Later, several farmers, including Burns’ father, chipped in to invite a teacher for their children. It was eighteen-year-old Murdoch, a capable and energetic young man. He taught Robert English literary language, grammar and French. Burns read French authors in the original and spoke French. Subsequently, he independently studied Latin. Having moved to work in the city, teacher Murdoch continued to maintain friendship with Burns and supplied him with books. The son of a poor Scottish peasant, Robert Burns became an educated and well-read man.

In 1765, the Burns leased Mount Oliphant Farm, and Robert labored here as an adult laborer, malnourished and overstrained. It was the hard work at Mount Oliphant that ultimately became the main reason for the poet’s early death.

Everyone who knew Robert during these years later recalled his great passion for reading. The boy read everything he could get his hands on - from penny pamphlets to Shakespeare and Milton. Burns wrote down his first original poem in 1774. It was “I loved a girl before...”


Provincial life is not full of any bright, stunning events. Likewise, Burns’s fate was full of inner passions, but outwardly it proceeded slowly and banally against the backdrop of minor troubles and numerous love stories.

In 1777, his father moved to Lochley Farm near Tarbolton, and a new time began for the young man. The most important step in his life was his entry into the Tarbolton Masonic Lodge of St. David on July 14, 1781, which largely determined the poet’s future fate. It was the Masons who supported him in his literary activities.

On February 13, 1784, William Burns died, and with the money left after him, Robert and Gilbert moved the family to the Mossgiel farm near Mauchlin. Here the young man entered into a relationship with the maid Betty Peyton, and on May 22, 1785, his illegitimate daughter Elizabeth (1785-1817) was born. The birth of a girl caused a stir in Puritan society. Robert was put under penance for fornication.

It's funny, but just by this time Burns had already gained some fame as the author of bright friendly messages, dramatic monologues and satires.

In the same 1785, true love came to Robert Burns - the poet fell in love with Jean Armor (1765-1854), the daughter of the wealthy Mochlin contractor John Armor. The passion reached the point that Burns, according to unwritten Scottish laws, gave the girl a written “commitment”, which certified the actual, but not yet legal, marriage. Jean showed the document to her father, but he, being a witness to Robert’s public penance, broke the “obligation” and refused to take the poet as his son-in-law.

In the midst of a passionate affair with Jean, the poet received an offer to emigrate to Jamaica. But there was no money for the trip. It was then that friends advised Robert to publish a collection of his poems, and with the proceeds from its sale to go to America.

Burns's first book, Poems, with a circulation of 1,200 copies, was published in Kilmarnock in the summer of 1786. It was written mainly in the Scottish dialect. Half of the circulation was immediately sold by subscription, organized by the Masonic lodge among its members, friends and relatives of the Masons. The remainder of the circulation was sold out in a few weeks. And overnight, unexpected fame came to Robert Burns. The doors of the richest houses in Scotland opened before him.

On July 9, 1786, James Armor sued Burns for adultery. The court ordered the libertine to be thrown into prison until he guarantees payment of a huge sum for the damage suffered by the Armors. In the end, Burns and Jean had to serve their time in the “penance bench” of the church, where they “received public reproach for the sin of adultery.”

Later she managed to pay off Betty Peyton, who still claimed Robert as the father of her daughter. The woman was paid £20 and resigned to being a single mother.

With the assistance of J. Cunningham, on December 14, 1786, he entered into an agreement with the Edinburgh publisher W. Creech. In the capital, Burns was received enthusiastically, he was constantly invited to social salons, and he was given the patronage of the Caledonian Hunters, a very influential club for the elite, whose members were also Freemasons. The leaders of the Grand Masonic Lodge of Scotland proclaimed Burns the "Bard of Caledonia".

The Edinburgh edition of the Poems was published on April 21, 1787. The publisher, printer and artist of the book were Freemasons; the book was purchased mainly by members of the lodge and people associated with them. In total, the publication attracted about 3,000 subscribers and brought Burns about 500 pounds, including one hundred guineas, for which he gave up the copyright to Creech.

About half of the proceeds went to help Gilbert and his family in Mossgiel; Burns decided to use the remaining amount to rebuild his life.

Before leaving Edinburgh in May 1787, Burns met James Johnson. This semi-literate engraver was fanatically fond of Scottish music. With his own saved money, he published the collection “Scottish Music Museum”, which he decided to turn into an almanac. From the autumn of 1787 until the end of his life, Burns became the de facto editor of this publication (a total of 5 volumes were published). He not only collected texts and melodies, but, under the guise of folk art, published poems of his own composition in almanacs, even added to lost ones or rewrote obscene texts of folk works. The poet did this so talentedly that at present, in the absence of documented evidence, it is impossible to distinguish between Burns’ work and the real folk text. It is known that the poet created only about 300 such poems.

On July 8, 1787, Robert Burns returned to Mauchlin. All-Scotland fame preceded his arrival. Accordingly, the attitude towards him in the village changed. First of all, the poet was favorably received by the Armors, and relations with Jean were renewed.

However, it unexpectedly became known that while in Edinburgh, Robert entered into a relationship with the maid Peggy Cameron, who gave birth to a child from him and immediately sued her lover. I had to return to the capital.

While the legal battle dragged on, on December 4, 1787, Burns met an educated married lady, Agnes Craig M'Lehous. They developed a close relationship (they lasted almost all of Burns’ life), but three days after they met, the poet dislocated his knee and found himself bedridden. And then the famous love correspondence began, in which Agnes Craig chose to act under the pseudonym Clarinda.

One day, in a conversation with a doctor who used him, Burns spoke about his desire to enter the public service. The doctor knew the Scottish Excise Commissioner, R. Graham. Upon learning of the poet's desire, Graham allowed Burns to undergo training as an exciseman (tax collector).

On July 14, 1788, the poet received a proper diploma. At the same time, to increase income, he rented the Ellisland farm. On August 5, 1788, the marriage of Burns and Jean Armor, who by that time was again pregnant, was finally officially recognized. On March 3, 1789, the woman gave birth to two girls, who soon died.

During his three years at Ellisland, Burns worked mainly on texts at the Scottish Music Museum, and also wrote for the two-volume anthology The Scottish Side, which was being prepared for publication by Fr. Grose, a story in verse by Tam O'Shanter.

The farm purchased by Burns turned out to be unprofitable. Fortunately, the poet received, under the patronage, the position of excise officer in his rural area. The authorities were pleased with his diligence; in July 1790, Burns was transferred to serve in Dumfries. At the same time, he refused to rent Ellisland and began to live on one salary.

Meanwhile, in 1789, the Great French Bourgeois Revolution began. Frightened British authorities began investigating the loyalty of civil servants.

Burns openly spoke out in support of the revolution. One day, the poet, along with other customs and excise officials, participated in the disarmament of a smuggling ship. It was decided to sell the captured guns at auction. Burns bought them with all the money he had and sent them to France as a gift to the Convention, which was at war with the European coalition, including Great Britain. In other words, the great nationalist Burns, for the sake of his parochial political ambitions, sent powerful weapons to the enemy to kill his compatriots. Fortunately, the guns were intercepted by the British at sea.

By December 1792, so many denunciations had accumulated against Burns that Chief Exciseman William Corbet arrived in Dumfries to personally conduct an inquiry. We must pay tribute to the excise officials, through the efforts of Corbett and Graham, the investigation ended with Burns being ordered not to talk too much. They still intended to promote him...

But unexpectedly in 1795 the poet became seriously ill with rheumatism. When he was already lying on his deathbed, the merchant, to whom Burns owed an insignificant amount for cloth, sued the dying man. The poet did not have seven pounds to pay his debt, and he was threatened with debtor's prison. In desperation, Burns for the first and last time asked for help from George Thomson, the publisher of a collection of Scottish songs (Burns sent his poems to the collection for free). Thomson sent him the required amount, because he knew that the proud poet would not accept a larger sum.

Robert Burns (1759-1796)

The names of Shakespeare, Byron or Burns in the minds of Russian people coexist with the names of Pushkin, Lermontov, and we are not surprised that British poets spoke in our native language. This happened thanks to the work of several generations of translators, but above all thanks to the very high level of Russian poetic culture in general, which was shaped by Pushkin and Zhukovsky, Tyutchev, Blok, Pasternak and many other great creators. In the case of Robert Burns, something of a miracle also happened. It was revealed to the Russian reader by S. Marshak. And he not only discovered him, but made him seem almost like a Russian poet. The whole world knows Burns, but the poet’s compatriots, the Scots, consider our country his second homeland. “Marshak made Burns Russian, leaving him to the Scots,” wrote Alexander Tvardovsky.

The fact is that Marshak did not literally follow the rhythm, stanza, the accuracy of the meaning of each line - he found a certain translation equivalent of the very element of the Scottish poet’s creativity. Not all experts are happy with this technique, but it was in these translations that Burns immediately and forever entered into us, we believed this version - and I think it is unlikely that more accurate translations will be successful. Still, the spirit of poetry is more important than the letter.

Overnight on the way

I was overtaken by darkness in the mountains,

January wind, biting snow.

The houses are tightly closed,

And I couldn't find a place to stay for the night.

Luckily the girl is alone

She met me on the way,

And she offered me

Enter her secluded house.

I bowed low to her -

The one who saved me in a snowstorm,

He bowed to her politely

And he asked me to make the bed.

She is the finest canvas

Made a modest bed

And, having treated me to wine,

She wished me a sweet sleep.

I was sorry to part with her,

And in order not to let her leave,

I asked the girl: “Is it possible?”

Should I bring another pillow?

She brought a pillow

Under my head.

And she was so sweet

That I hugged her tightly.

There was blood in her cheeks,

Two bright lights flashed.

- If you have love for me,

Leave me as a girl!

The silk of her hair was soft

And curled like hops

She was fragrant with roses,

The one who made my bed.

And her breasts were round,

It seemed like early winter

With my breath I have marked

These two small hills.

I kissed her on the mouth -

The one who made my bed,

And she was all clean

Like this mountain blizzard.

She didn't argue with me

She didn’t open her sweet eyes.

And between me and the wall

She fell asleep at a late hour.

Waking up in the first light of day,

I fell in love with my friend again.

- Oh, you ruined me! —

My love told me.

Kissing the eyelids of wet eyes

And a curl curling like hops,

I said: - Many, many times

You will make my bed!

Then she took the needle

And she sat down to sew a shirt for me.

January morning at the window

She sewed a shirt for me...

Days flash by, years go by,

Flowers are blooming, a blizzard is blowing,

But I will never forget

The one who made my bed.

The spirit of Burns's poetry is, first of all, the spirit of the people of Scotland at that time. The people seemed to be waiting for their poet, and he appeared in the very midst of the people. In the village of Alloway there is a clay hut under a thatched roof where Robert Burns was born on January 25, 1759. This house was built with his own hands by the poet's father, William Burns, the son of a bankrupt farmer from the north of Scotland. In the new house, my father made a shelf for books, read a lot and even wrote something down in the evenings. And he wrote down, as it were, his future conversation with his son, and the whole thing was called “Instruction in Faith and Piety.”

The father cared a lot about the education of his children. When Robert turned seven, and his brother Gilbert was six years old, his father invited teacher John Murdoch to the house, who eagerly recited Milton and Shakespeare and explained difficult passages. He introduced the boys to the classics, taught them to read poetry expressively and speak English correctly.

Burns's work was greatly influenced by both classical examples in literary English and his native Scottish dialect, in which his mother sang songs, in which he was told scary tales about witches and werewolves.

The boys worked with their father on the farm - they helped plow, sow, and harvest. One summer, Robert first fell in love with a girl from a neighboring farm. “This is how love and poetry began for me,” he later recalled.

Land, peasant labor, pure love - these became the main themes in his work. And at the same time, all of Burns’ stanzas are permeated with the melody of old Scottish poetry and music.

-Who's knocking there at this late hour?

“Of course I’m Findlay!”

- Go home. Everyone is sleeping with us!

"Not all!" said Findlay.

- How dare you come to me?

“Dare!” said Findlay.

- You're probably going to make some trouble.

"Can!" - Findlay said

- Open the gate for you...

“Come on!” said Findlay.

“You won’t let me sleep until dawn!”

"I'm not giving it!" said Findlay.

The reader can find out how this dialogue ended by reading Burns's book of poems and ballads. Here, thank God, Burns has been published and is being published a lot.

So, the people heard their own music in Burns’s poems, heard their own soul and saw themselves.

Burns was not just a genius. He received, firstly, a good education, and, secondly, he did a lot of self-education. Then in the salons of Edinburgh, where Burns would come to publish his poems, they would be amazed at his culture and knowledge.

The maturation of his talent was greatly influenced by a volume of poems by Robert Fergusson, a young poet who died at the age of twenty-four. He wrote poetry in Scots. Burns was amazed at what beautiful poetry could be written in the “common dialect.” Burns began collecting old songs and ballads and drawing poetry from them. And on Fergusson’s grave he would later place a granite slab with his lines carved on it:

No urn, no solemn word,

There is not a statue in its fence,

Only the bare stone speaks sternly:

- Scotland! Under the stone is your poet!

After the death of his father, Burns became the head of the family and owner of the new farm. During the day he worked hard on the farm, and in the evenings he went dancing in Mochlin. He has a lot of poems about the girls he danced with.

In Mauchlin, Robert met Jean, who became his lifelong love. According to the old Scottish custom, they first entered into a secret marriage; for this they had to sign a “marriage contract”, according to which the lovers “recognize themselves forever as husband and wife.” Then Robert left to work to provide for his family. Jean was expecting a child. On September 3, 1786, she gave birth to twins, a boy and a girl, who were named Robert and Jean after their parents.

There is a whole story connected with the “marriage contract”. Jean's parents broke this contract and filed a complaint against Burns with the church council and the court. There was a lot of anxiety. But by this time Burns had published a book and fame had come to him. Then the Edinburgh edition of Burns' poems and poetry came out - after which he was greeted everywhere as a glorious bard. His voice was heard throughout Scotland. The church officially recognized the marriage - and the family began to live together. Soon Jean gave birth to another boy.

The poet turned thirty years old. He worked hard on the new farm, wrote poetry and even philosophical treatises. He refused fees:

Since then I have lived with one dream:

Serve the country to the best of your ability

(Even if they are weak!)

To bring benefit to the people -

Well, invent something

Or at least sing a song!..

The famous translator O. Wright-Kovalyova, in the preface to one of Burns’ books, writes that “the last years were the most difficult in Burns’ life. He was a civil servant - and an inveterate rebel, a happy father of a family - and the hero of many romantic adventures, a peasant son - a friend of the “most noble families”... On July 21, 1796, the poet died, leaving his family without any means. Burns was buried with pomp: regular troops marched ceremoniously to the cemetery, playing a crackling and soulless funeral march. Jean could not see Robert off: at that hour she gave birth to his fifth son. Friends took care of her and the children.”

Many years later, the English king granted Burns' widow a pension, but Jean refused the pension.

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Copyright: biographies of the lives of great poets

There is perhaps no poet in the world who has been so well known and sung for two centuries in his native country. The lines of his best poems became slogans. His words became sayings and proverbs. His songs returned to the people. This is what critics wrote about the Scottish poet Robert Burns.

The life and work of Robert Burns

He was born on January 25, 1759 in West Scotland. His father was a gardener. After many years of service on noble estates, he rented a plot of land, built a house, and by the age of 40 he married a 25-year-old orphan, the modest and hard-working Agness Broun. Having regretted his lack of education all his life, William, along with other farmers, hired a teacher, Murdoch, in a neighboring village, who taught his children to read and write for two and a half years. Thoughtful beyond his years, six-year-old Robert Burns was first in spelling and amazed everyone with his exceptional memory.

A year later, the family changed their place of residence, moving to another farm. The Burnses lived a secluded life, devoting almost all their time to work, and in the evenings the father taught the children grammar and arithmetic. These lessons were not enough for the capable Robert, and William again sent his son to study with Murdoch. In a few weeks, Robert mastered grammar and began to study French. However, after a couple of months the young man had to return to the farm - they couldn’t cope there without him.

While harvesting grain, 14-year-old Burns fell in love with a girl who worked with him, Nellie Kilpatrick, and composed his first song for her. “This is how love and poetry began for me,” he later wrote. At the age of 15, Robert’s father sent him to a surveying school located in one of the fishing villages. There the young man saw another very pretty girl. New passionate poems were written for her. After a year I had to leave my studies. The family moved to a new farm, which had to be raised again.

Robert plowed the land for a whole week, and on Sundays he escaped from boredom at home, went to dance lessons and to a tavern, whose visitors loved Burns for his poems about the life of farmers. At the age of 22, he entered the Masonic lodge, in the charter of which he was attracted by clauses on equality and mutual assistance to all brothers, regardless of origin. That same year, Burns read Fergusson's Scottish poetry and realized that his native language, which the English considered a vernacular dialect, was no worse than any literary language.

In 1784, after the death of the head of the family, the Burns moved again. Here, 25-year-old Robert fell in love with the maid Betty, who bore him a daughter. Burns did not intend to get married, but said that he would raise the girl himself. He later met the daughter of a wealthy contractor, Jean Arvar. The young people secretly, according to ancient custom, signed a contract in which they recognized themselves as husband and wife. When her parents found out that Jean was pregnant, they forced her to leave town.

Proud Robert considered this a betrayal on the part of the girl, and for a long time refused to see her. When she gave birth to twins, he took his son to live with him. The weak Armora girl was left in her family. She later died. At this time, Robert's songs became interested in one landowner. With his assistance, Burns's first collection with the poems “Two Dogs” and “A Countryman's Saturday Evening” was published in July 1786. Within a week, the 27-year-old poet-farmer became famous.

He visited Edinburgh, where he impressed secular society with his good manners and education. The capital's publisher Critch invited him to publish a second collection, promised a decent reward, but paid only a portion. At the age of 39, after much torment, Robert married his beloved Jean and settled with her on the Aliceland farm. He decided to take the path of virtue, but one day he fell in love with the innkeeper’s niece Anna. Later he admitted to his wife that Anna gave birth to a girl from him and died during childbirth. Jean took the baby and raised her as her own.

The land did not bring Burns any income, and he secured a position as an excise official. He combined his official duties with poetry. For many years Burns collected old Scottish songs. On July 21, 1796, Burns died. After the funeral, Jean gave birth to her fifth son. Thanks to the poet's influential fans, his wife and children subsequently needed nothing.

  • A certain Dr. Kerry, a man of strict rules, created a biography of Burns, interpreting many facts in his own way, portraying the poet as a rake and a drunkard. Only later researchers brought clarity to the biography of the Scottish bard.

BURNS, ROBERT(Burns, Robert) (1759–1796), Scottish poet. He created original poetry in which he glorified work, people and freedom, selfless and selfless love and friendship. Satirical anti-church poems “The Two Shepherds” (1784), “The Prayer of Saint Willie” (1785), the collection “Poems Written Primarily in the Scottish Dialect” (1786), the patriotic anthem “Bruce to the Scots”, the cantata “The Merry Beggars”, civil and love lyrics (poems “Tree of Liberty”, “John Barleycorn”, etc.), drinking songs. He collected and prepared for publication works of Scottish poetic and musical folklore, with which his poetry is closely connected.

In 1777, his father moved to Lochley Farm near Tarbolton, and a new life began for Robert. In Tarbolton he found a company he liked and soon became its leader. In 1780, Burns and his friends organized a cheerful "Bachelors' Club", and in 1781 he joined the Masonic lodge. On February 13, 1784, his father died, and with the money left behind, Robert and Gilbert moved the family to the Mossgiel farm near Mauchlin. Even earlier, in 1783, Robert began to write down his youthful poems and rather stilted prose in a notebook. A relationship with the maid Betty Peyton led to the birth of his daughter on May 22, 1785. Local clergy took advantage of the opportunity and imposed penance on Burns for fornication, but this did not stop the laity from laughing when reading what was on the lists Holy fair And Saint Willie's Prayer .

At the beginning of 1784, Burns discovered the poetry of R. Fergusson and realized that the Scottish language was by no means a barbaric and dying dialect and was capable of conveying any poetic shade - from salty satire to lyrical delight. He developed the traditions of Fergusson, especially in the genre of the aphoristic epigram. By 1785 Burns had already gained some fame as the author of colorful friendly messages, dramatic monologues and satires.

In 1785, Burns fell in love with Jean Armor (1765–1854), the daughter of the Mauchlin contractor J. Armor. Burns gave her a written “undertaking” - a document that, according to Scottish law, certified an actual, albeit illegal, marriage. However, Burns's reputation was so bad that Armor broke the "engagement" in April 1786 and refused to take the poet as his son-in-law. Even before this humiliation, Burns decided to emigrate to Jamaica. It is not true that he published his poems to earn money for the trip - the idea of ​​this publication came to him later. Printed in Kilmarnock Poems predominantly in Scottish dialect (Poems, Chiefly in the Scottish Dialect) went on sale on August 1, 1786. Half of the circulation of 600 copies was sold by subscription, the rest was sold in a few weeks. After this, Burns was accepted into the aristocratic literary circle of Edinburgh. Collected, processed and recorded about two hundred songs for the Scottish Musical Society. He began to write songs himself. Fame came to Burns almost overnight. Noble gentlemen opened the doors of their mansions to him. Armor dropped the claim and Betty Peyton was paid off with 20 pounds. On September 3, 1786, Jean gave birth to twins.

The local nobility advised Burns to forget about emigration, go to Edinburgh and announce a nationwide subscription. He arrived in the capital on November 29 and, with the assistance of J. Cunningham and others, concluded an agreement with the publisher W. Creech on December 14. During the winter season, Burns was in great demand in secular society. He was patronized by the "Caledonian Hunters", members of an influential club for the elite; At a meeting of the Grand Masonic Lodge of Scotland he was proclaimed "Bard of Caledonia". Edinburgh edition Poems(published April 21, 1787) attracted about three thousand subscribers and brought Burns about 500 pounds, including one hundred guineas, for which he, having listened to bad advice, ceded the copyright to Creech. About half of the proceeds went to help Gilbert and his family in Mossgiel.

Before leaving Edinburgh in May, Burns met J. Johnson, a semi-literate engraver and fanatical lover of Scottish music, who had recently published the first edition of The Scots Musical Museum. From the autumn of 1787 until the end of his life, Burns was actually the editor of this publication: he collected texts and melodies, supplemented the surviving passages with stanzas of his own composition, and replaced lost or obscene texts with his own. He was so successful in this that without documented evidence it is often impossible to establish which are the folk texts and which are the Burns texts. For the “Museum”, and after 1792 for the more refined, but less vibrant “Select Collection of Original Scottish Airs” (1793–1805) by J. Thomson, he wrote more than three hundred texts, each with its own motive.

Burns returned triumphantly to Mochlin on July 8, 1787. Six months of glory did not turn his head, but they changed the attitude towards him in the village. The Armors welcomed him, and he resumed his relationship with Jean. But Edinburgh maid Peggy Cameron, who gave birth to Burns's child, sued him, and he returned to Edinburgh.

There, on December 4, he met an educated married lady, Agnes Craig M'Lehuz. Three days later, he dislocated his knee and, bedridden, began a love correspondence with “Clarinda,” as she called herself. The dislocation had more significant consequences. He used Burns The doctor knew the Commissioner of Excise in Scotland, R. Graham. Having learned about the poet's desire to serve in the excise, he turned to Graham, who allowed Burns to undergo proper training. The poet completed it in the spring of 1788 in Mauchlin and Tarbolton and received a diploma on July 14. The prospect of an alternative source of income gave him the courage to sign a contract for the lease of Ellisland Farm on March 18.

Upon learning that Jean was pregnant again, her parents kicked her out of the house. Burns returned to Mauchlin on February 23, 1788 and, apparently, immediately recognized her as his wife, although the announcement took place only in May, and the church court approved their marriage only on August 5. On March 3, Jean gave birth to two girls, who died soon after. On June 11, Burns began working on the farm. By the summer of 1789 it became clear that Ellisland would not generate income in the near future, and in October Burns, through patronage, received the post of exciseman in his rural area. He performed it perfectly; in July 1790 he was transferred to Dumfries. In 1791 Burns refused the lease of Ellisland, moved to Dumfries and lived on the exciseman's salary.

Burns's creative work during the three years at Ellisland consisted mainly of texts for Johnson's Museum, with one serious exception - a story in verse Tam O'Shanter (Tam O" Shanter). In 1789 Burns met the antiquities collector Fr. Grose, who was compiling a two-volume anthology Scottish antiquity (The Antiquities of Scotland). The poet invited him to include in the anthology an engraving depicting the Alloway Church, and he agreed - on the condition that Burns would write a legend about witchcraft in Scotland to accompany the engraving. This is how one of the best ballads in the history of literature arose.

Meanwhile, passions flared up around the Great French Revolution, which Burns accepted with enthusiasm. Investigations began into the loyalty of government officials. By December 1792, so many denunciations had accumulated against Burns that Chief Exciseman William Corbet arrived in Dumfries to personally conduct an inquiry. Through the efforts of Corbett and Graham, it all ended with Burns being ordered not to talk too much. They still intended to promote him, but in 1795 he began to lose his health: rheumatism affected his heart, which had been weakened in adolescence. Burns died on July 21, 1796.

Burns is extolled as a romantic poet, both in the popular and literary sense of the term. However, Burns' worldview was based on the practical sanity of the peasants among whom he grew up. He essentially had nothing in common with romanticism. On the contrary, his work marked the last flowering of Scottish poetry in its native language - lyrical, earthly, satirical, sometimes mischievous poetry, the traditions of which were laid by R. Henryson (c. 1430 - c. 1500) and W. Dunbar (c. 1460 - c. 1530), forgotten during the Reformation and revived in the 18th century. A. Ramsay and R. Ferguson.

LITERATURE

1. Wright-Kovaleva R. Robert Burns. M., 1965
2. Burns R. Poems . Poems ; Scottish ballads. M., 1976
3. Burns R. Poems – The Poetical Works. M., 1982

Robert Burns is a popular Scottish poet and folklorist. During his prolific career he wrote many poems and poems in English and Scots. His birthday, January 25, is still celebrated as a national holiday throughout Scotland.

National holiday

Robert Burns is a truly unique poet. There are few countries in which there is a writer whose birthday has been celebrated according to a pre-established procedure for more than two centuries.

January 25 is a real national holiday in Scotland, which is remembered by all its residents. On this day, it is customary to set a rich table made up of dishes that the poet sang in his works. First of all, it is a rich pudding called haggis. It is prepared from lamb offal (liver, heart and lungs), mixed with lard, onions, salt and all kinds of seasonings, and then boiled in a lamb stomach.

According to ancient tradition, it is customary to bring these dishes into the room accompanied by Scottish bagpipes, and before starting the feast, one should read the poems of Burns himself. For example, “Zazdravny Toast”, known in Russia as translated by Samuil Marshak, or “Ode to Scottish Haggis Pudding”. On this day, the poet’s name day is celebrated by admirers of his work around the world.

Childhood and youth

Robert Burns was born in 1759. He was born in a small Scottish village called Alloway, which is located just three kilometers from the town of Ayr in Ayrshire. His father was a peasant named William.

In 1760, William Burns rented a farm, introducing Robert and his brother to hard physical labor from an early age. They did almost all the dirty and hard work themselves. At that time, the family did not live well, there were always problems with money, and at times there was even nothing to eat. Due to the fact that Robert Burns often went hungry as a child, this negatively affected his health in the future. He constantly had problems with his health.

In between work, Robert Burns literally voraciously read all the books in a row. Literally everything he could get his hands on in his small village.

As a rule, these were inexpensive brochures with a simple plot and content. But it was thanks to them, as well as the knowledge that his mother and servants passed on to him, that the hero of our article became acquainted with traditional Scottish folklore. In the future, it became an important part of his life and was reflected in most of Robert Burns' books. He wrote his first poems in 1774.

Moving

An important new stage in the biography of Robert Burns is the move to a farm called Lochley, which took place in 1777, when he was 18 years old.

Here he found many like-minded people who, like Burns himself, were interested in literature, Scottish history and folklore. As a result, he becomes the organizer of the Bachelors' Club.

In 1781, Robert Burns came under the influence of the Freemasons. This fact has a serious impact on all his subsequent works, and on his creative style itself.

Popularity

The hero of our article becomes popular in his homeland in Scotland after the publication of two satirical poems entitled “The Two Shepherds” and “The Prayer of Saint Willie.” These books by Robert Burns are published in 1784 and 1785 respectively.

But what makes him truly famous as a writer are his “Poems written primarily in the Scottish dialect.” This collection was published in 1786.

The next year he comes to Edinburgh, where he quickly becomes a welcome guest in high society. Robert Burns's poems are valued in aristocratic circles, so he immediately has influential patrons. The hero of our article himself soon becomes the owner of the unofficial status of “Bard of Caledonia.” His name is assigned by the Masonic Grand Lodge.

Since 1783, Burns has written many of his works in the Ayshire dialect. And in 1784 his father died. The hero of our article, together with his brother, are trying to manage the farm together, taking care of the affairs of the farm, but after several unsuccessful attempts they leave it.

By this period of creativity, which can be called the initial period, such famous poems by Robert Burns as “John Barleycorn”, “Holy Fair”, “The Prayer of Holy Willie” were published. His fame spreads throughout the country.

It is interesting how the German poet Johann Wolfgang Goethe assessed its popularity. Goethe emphasized that the greatness of Burns lies in the fact that the old ancestors of his native people always lived in the mouths of all his relatives. It was in them that he found a living foundation, relying on which he was able to advance so far. In addition, his own songs immediately found fertile ears among his own people, as they often sounded from the lips of sheaf binders and reapers who walked towards him.

Life in Edinburgh

Since 1787, Burns began to live permanently in Edinburgh. Here he meets national music fan James Johnson. Together they begin to publish a collection, which they give the name “Scottish Music Museum”. The hero of our article remains its editor almost until the end of his life.

Together with Johnson, they are promoting Scottish folklore. This publication publishes a large number of ballads arranged by Burns himself, as well as his own original works.

They collected texts and melodies by any means from all kinds of sources, and if some lines turned out to be irretrievably lost or too frivolous, Robert Burns, a famous poet of his time, replaced them with his own. Moreover, he did it so skillfully that it was simply impossible to distinguish them from folk ones.

He also paid attention to the release of the collection "Selected Collection of Original Scottish Tunes".

All these books brought a good income to Burns himself and his companion Johnson. True, as soon as the hero of our article had his first small capital, he invested all of it in renting a farm, but as a result he completely went bankrupt. In 1789, he finally abandoned attempts to establish his own business.

In 1790, having connected his own connections, of which he had accumulated quite a few by that time, Burns got a job as an exciseman in a rural area. Within a few months, he was transferred to Dumfries for his diligent service, and his salary became the poet’s main source of income for the coming years.

Due to his busy schedule, he could not devote as much time to poetry as he would have liked. Robert Burns's poems began to appear much less frequently. His poems “Honest Poverty”, “Tam o' Shanter”, as well as “Ode to the Memory of Mrs. Oswald” can be attributed to this period. In 1793, Robert Burns published his best works for the second time in two volumes.

In 1789 he wrote a famous poem dedicated to John Anderson. In it, the author, who is only 30 years old, begins to reflect on the prospect of death, the end of life’s journey, which surprises his researchers, and his contemporaries reacted to this with bewilderment.

Personal life

Speaking about the personal life of the hero of our article, it is worth noting that Burns led a very free lifestyle. He had three illegitimate daughters at once, who were born as a result of short-lived and casual relationships.

Robert Burns's wife's name was Jean Armor. She was his longtime lover, he had been courting her for several years. In total, five children were born to the happy parents.

All this time, Burns had to practice poetry virtually in between his main job, which was vital for him to support his family.

At the same time, he had very good prospects for moving up the career ladder. But his poor health did not allow him to achieve success in the service.

At the end of life

Moreover, the last years of his life, even despite such diligence, he spent in poverty and deprivation. Moreover, a week before his death he almost ended up in debtor's prison.

The poet died in July 1796 in Dumfries, where he went on official business for two weeks. It is known that at that time he was already sick, felt very bad, but still had to go to settle all matters. At that time he was only 37 years old.

Burns' authoritative biographer James Currie suggests that one of the reasons for his sudden death was alcohol abuse. But modern researchers believe that Curry himself may not have been completely objective, since he was in a temperance society, perhaps in this way he wanted to once again convince the public of the dangers of drinking alcohol.

A more convincing version is that Burns died from a whole range of problems. They were caused by backbreaking physical labor since childhood, which actually undermined his health. Chronic rheumatic carditis, which he suffered for many years, most likely since childhood, also played a role. In 1796, his condition worsened significantly after he contracted diphtheria.

On the day of the Scottish poet's funeral, his wife Jean Armor gave birth to their fifth child. The work of Robert Burns received the highest appreciation not only in his homeland, but also far beyond its borders. His work was distinguished by emotional, lively and expressive poetry. His works have been translated into dozens of languages, including Russian, and his ballads formed the basis for a large number of songs.

"Honest Poverty"

A classic example of a work by Robert Burns (we will discuss its summary in this article) is the poem “Honest Poverty.” Here is an excerpt from it translated by Samuil Marshak, thanks to which most of the works of this Scottish poet are known to the average Russian reader.

Who's honest poverty

Ashamed and everything else

The most pathetic of people

Cowardly slave and so on.

For all that,

For all that,

Even if you and I are poor,

Wealth -

Stamp on gold

And the gold one -

We ourselves!

We eat bread and drink water,

We cover ourselves with rags

And all that stuff

Meanwhile, a fool and a rogue

Dressed in silk and drinking wine

And all that stuff.

For all that

For all that,

Don't judge by the dress.

Whoever feeds himself by honest labor -

I call these people nobility.

In the eyes of the author of the work, an honest person, even if he is poor, is worthy of great respect. This is the main motive of Robert Burns' poem (a summary of it is in the article). The true dignity for which a person should be respected is hard work and intelligence.

As the poet asserts, a silk dress will not help to hide stupidity, and expensive wine will never be able to drown dishonesty. Even the ruler cannot solve this problem. He can appoint his lackey as a general, but he is not able to make anyone an honest person unless the person himself wishes it.

The poem ends with Burns's prediction that sooner or later the hour will come when honor and intelligence, rather than flattery and rewards, will come first and will be truly valued.

It is worth noting that the poem has a perky refrain: “For all that, for all that.” This makes it very musical, it goes well with music, it can easily be turned into a fun folk song with meaning.

For many years, this work inspired the souls of poor people, instilled in them confidence in themselves and in the future, awakened human dignity, which is always important to preserve.

According to reviews of Robert Burns, many of his works are exactly like this. They denounce deceit, vanity and stupidity, paying tribute to honesty, sincerity and conscientious work. Burns himself adhered to these principles in his life.

Features of the language

Stories about Robert Burns always focus on his unique language, which immediately sets him apart from most other poets. It is worth noting that he received his basic education at a rural school, but his teacher was John Murdoch, a man with a university diploma.

At the time when the poet’s fame flourished, his native Scotland was at the peak of national revival and was considered one of the most cultural corners of Europe at that time. For example, on the territory of this small state there were five universities at once.

Murdoch did a lot to ensure that Burns received a comprehensive education; he saw that before him was the most talented of his students. In particular, they paid great attention to poetry, especially to the outstanding representative of British classicism of the 18th century, Alexander Pope.

Surviving manuscripts indicate that Burns had an impeccable command of literary English. In particular, “Sonnet to a Blackbird”, “The Villager’s Saturday Evening” and some of his other works were written on it.

In many of his other texts, he actively used the Scots language, which was considered at that time one of the dialects of English. This was his conscious choice, which was declared in the title of the first collection - “Poems predominantly in the Scottish dialect.”

Initially, many of his works were specifically created as songs. It was not difficult, since the texts were musical and rhythmic. Russian composers, including Georgy Sviridov and Dmitry Shostakovich, also created musical works.

Burns' songs are often used in films, including domestic ones. For example, the romance “Love and Poverty” is heard in Viktor Titov’s musical comedy “Hello, I’m your aunt!” performed by Alexander Kalyagin, in Eldar Ryazanov's lyrical comedy "Office Romance" the song "There is no peace for my soul" is performed by Alisa Freindlikh, and from the lips of Olga Yaroshevskaya we hear the composition "Love is like a red rose" in Pavel Lyubimov's school melodrama "School Waltz".

Translations into Russian

The first translation of Burns's poetic work into Russian appeared in 1800, four years after the death of the author himself. However, it became popular in Russia only in 1829, when a brochure entitled “Rural Saturday Evening in Scotland. Free imitation of R. Borns by I. Kozlov” was published.

It is known that Belinsky was fond of the work of the Scottish poet; his two-volume work was in the library of Alexander Pushkin. In 1831, Vasily Zhukovsky made a free adaptation of one of the most famous works of the hero of our article - the poem “John Barleycorn”. Zhukovsky called it “Confession of a cambric shawl.” It is known that in his youth Burns was translated by Lermontov.

Taras Shevchenko often cited Burns as an example when he defended his right to create in Ukrainian and not in Russian.

In the Soviet Union, his poems gained wide popularity thanks to the translations of Samuil Marshak. He first took up this work in 1924. Moreover, the first full-fledged collection was published only in 1947. In total, during his life he translated 215 works of his Scottish colleague into Russian, which is approximately two-fifths of his creative heritage.

It is worth noting that Marshak’s translations are often quite far from the original. But they have the ease of language characteristic of Burns himself and the maximum simplicity to which he strived. The elevated emotional mood is as close as possible to the mood of the Scottish poet. They were highly appreciated by Korney Chukovsky, who was considered a specialist in literary translation. In 1959, Marshak was even elected honorary chairman of the Burns Federation, which was founded in Scotland.

In recent years, translations of Burns's poems performed by other authors have appeared in large numbers. But Marshak is criticized, sometimes calling his texts inadequate.

To summarize, it should be noted that the popularity of this Scottish poet in our country is so great that up to 90% of his creative heritage has already been translated.

Robert Burns is born January 25, 1759 years in the village of Alloway (Scotland), in the family of the peasant William Burness.

In 1765, his father leased the Mount Oliphant farm, and the boy had to work like adults, enduring hunger and undermining his health.

In 1781, Burns joined the Masonic lodge; Freemasonry had a strong influence on his work.

From 1783, Robert began to compose poetry in the Ayshire dialect.

In 1784, his father died, and after a number of unsuccessful attempts to engage in agriculture, Robert and his brother Gilbert moved to Mossgiel.

Burns's first book was published in 1786. Poems, Chiefly in the Scottish dialect(“The poems are predominantly in the Scottish dialect”). The initial period of creativity also includes: “John Barleycorn” (1782), “The Jolly Beggars” (1785), “The Prayer of Saint Willie,” “Holy Fair” (1786). The poet quickly becomes known throughout Scotland.

In 1787, Burns moved to Edinburgh and became a member of the capital's high society. In Edinburgh, Burns met the popularizer of Scottish folklore, James Johnson, with whom they began publishing the collection “The Scottish Musical Museum.” In this publication, the poet published many Scottish ballads in his own adaptation and his own works.

Published books bring Burns a certain income. He tried to invest the money he earned in renting a farm, but only lost his small capital. The main source of livelihood from 1791 was work as an excise collector in Dumfries.

Robert Burns led a fairly free lifestyle, and he had three illegitimate daughters from casual and short-lived relationships. In 1787, he married his longtime lover Jean Armor. In this marriage he had five children.

In the period 1787-1794, the famous poems “Tam O'Shanter” (1790) and “Honest Poverty” (1795), “Ode Dedicated to the Memory of Mrs. Oswald” (1789) were created. In a poem dedicated to John Anderson (1789), the thirty-year-old author unexpectedly reflects on the decline of life, on death.

In essence, Burns was forced to study poetry in between his main work. He spent his last years in poverty and a week before his death he almost ended up in debtor's prison.

Burns passed away July 21, 1796 in Dumfries, where he went sick on official business 2 weeks before his death. He was only 37 years old.

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